starts with main character (hiro) getting arrested for peaceful activities that should be legal. no one objects to this state of affairs, including hiro himself who thinks the illegal activities are good things to do.
within the first 10 minutes the movie is telling HUGE HUGE HUMONGOUS GIGANTIC SUPER BIG lies about what university is like, by presenting a completely fake school lab scene that’s waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay cooler than real ones. Also extremely expensive even after you tone it down from sci-fi to realism.
so then after the utopia-paradise convinces the main character to go to school, he wants to make something awesome to get in. so he ... pulls out a pencil, a pencil sharpener, and paper. umm wait what? this is a sci fi world with advanced robotics technology, this guy is super into technology ... but he doesn’t use an iPad like device or even a computer keyboard for writing, brainstorming, etc? he handwrites?? c’mon. wtf.
so then hiro makes awesome amazing future tech in a short time period, PRIOR TO attending school, in hopes of getting in. note his ability to make this indicates he very much does not need school, even the super awesome fake school.
so then he gets 2 choices: get in to school, or sell out to a capitalist guy criticized for caring about “self-interest”. hiro turns down a fortune at age 14 without really thinking about it or finding out details of his options. which the professor mentor dude and his elder brother both treat as wise.
so after the professor and his brother die, why doesn’t he consider going with the capitalist option at that point?
chasing baymax scene is kinda ridiculous. the SLOW MOVING robot keeps being in sight a little ways away, but hiro is constantly running full speed and just missing him and not catching up.
no, low battery does not make robots act drunk.
Hiro lies to his parent figure when leaving the house to chase Baymax, and lies more when returning. no significant explanation is necessary. plenty of kids watching who understand the necessity of heavily lying to parents...
movie plays a lot on the theme of an outsider (the robot) who doesn’t understand cultural stuff that normal people take for granted. this lack of understanding is supposed to be humorous. one concrete example is when the robot doesn’t understand fist bumping.
the policeman completely ignores his report of major violence and danger. he treats robots like a fantasy story, even though this sci-fi world has significant robotics and Hiro is giving the police report with a very impressive robot standing next to him. that’s really bad. i think it’s a bit unrealistic. i don’t think police are quite that bad. at least for adults. maybe they are when a kid is doing the report. i don’t know. in any case, i think it comes off as identifiable to the children in the audience – the authorities in their lives (parents and teachers primarily) repeatedly won’t believe them, ignore reasonable requests, make them try to deal with stuff on their own. that theme is very realistic for kids.
so why doesn’t Baymax save any photographs or videos from the camera it uses for eyesight? that sure would have been convenient at the police station. also Hiro should have taken a picture or video with his smartphone or something.
the friend group in the movie are all very strong personality archetypes. this isn’t very realistic. most people are more mild, with a bit of some archetypes but also a lot of mild-mannered normalcy, compromises, etc. there’s general pressure on people not to be strong outliers. the strong extremes of the archetypes are a bit rare, but more entertaining and striking for movies.
after the go to the mansion and get upgrades, Hiro does a few grand in property damage while having Baymax show off his new rocket fist. no one takes notice of this.
when Hiro goes flying around on Baymax, he almost dies a few times. people don’t take brushes with death nearly seriously enough. they are too focused on the actual outcome instead of something more like the set of possible outcomes and their probabilities.
they also ignore the issue of acceleration forces acting on Hiro while he rides (and he’s frequently only attached to Baymax at like 2 points on his feet or knees which would put a ton of strain on those points). going high speed then changing direction very abruptly to go high speed another way requires a better setup or you like blackout or die.
also they fly around the city for all to see, which is really stupid given their intent to fight someone using this technology. better if it’s a secret, keep the element of surprise.
now i figure they have enough evidence to get help from the cops or military. like they have Baymax’s medical scan of the badguy. Baymax has some data. and their car got trashed and they got chased through the streets, some stuff must have gotten on camera and had witnesses. but they don’t consider that at all, even though the micro-bot army is VERY VERY dangerous and serious and bringing in the military really is called for, and it’s extremely reckless and stupid for them to go after the guy themselves and also to do it without leaving full data and notes behind in case they die so other the military at least has their info in order to fight if necessary.
the girls in the friend group are real thin.
for the fight after watching the teleporter video, they mostly fight in a sort of one-at-a-time way that is really convenient for showing what’s happening more easily i guess, but pretty damn lame if you think about it.
so Hiro himself, the protagonist a lot of the audience is meant to identify with, becomes kinda murderous pretty abruptly. that’s treated as just how even the best people are.
@Baymax tests and creation: so the first time it gets past saying Hi, on attempt 84 (a very low number, presented as a very high number), the medical scan works perfectly on the first try of that subsystem. that’s completely ridiculous.
so the capitalist dude doesn’t turn out to be the badguy. also he actually spends huge piles of government money.
the professor guy is pretty dumb. his daughter participated in the test voluntarily. now he wants to be a murderer. he also doesn’t seem to mind doing millions of dollars of property damage that hurts people other than his target, and he doesn’t seem to mind trying to kill Hiro and friends who has has no grudge against.
i don’t think the intended moral of the story is that irrational emotional family attachments are one of the more dangerous forces remaining internal to peaceful Western society. yet that’s kinda there.
Hiro and friends have massively higher tolerance for danger and brushes with death than most people. also they are wrong and it’s bad. and it doesn’t even occasion comment in the movie.
so remember how the acceleration was really unrealistic when flying earlier? it’s a lot worse now. when they are through the portal, Hiro climbs onto the pod thing the girl is in and hangs on to that while Baymax flies around pushing it. so now he doesn’t have the special attachment points between his suit and Baymax that kept him from falling off before. but he doesn’t fall off. cuz ... no reason. he barely even tries to hold on, sometimes letting go with his hands and just kinda crouching on it.
shooting the rocket fist to get them out is pretty stupid. cuz he could just shoot it directly away from them and that’d work too and then Baymax would be saved too. it’s not like there was a big hurry, they waste time saying bye. #physics
don’t they have backup copies of the robot’s memory cards, design schematics, etc, etc???
the news broadcast indicates the heroes don’t get credit. why? and how do they manage anonymity after all the public displays?